Czerny Op740 The Art of Finger Dexterity
Summary
Content
Book 1
- The action of the finger, the hand quiet
- The passing under of the thumb
- Clearness in rapidity
- Light motion in quiet staccato
- Evenness in double passages
- Clearness in broken chords
- Changing the fingers on one and the same key
- Light action of the left hand.
- Delicate skips and detached notes
- Exercise in thirds
- Readiness in changing the fingers
- Flexibility of the left hand
- The utmost velocity
- Chord-passages
- Extension, with great strength
- Changing the fingers in rapid playing
- Minor scales in rapid tempo
- Crossing the hands quietly and with delicate touch
- Extension, the hand quiet
- Double octaves
- The same movement ineach hand
- Trill-Exercise
- Light touch in the fingers of the left hand
- The thumb on the black keys, the position of the hand perfectly quiet
- Clearness in running passages
- The utmost velocity in chord passages
- Independence of the fingers
- A quiet hand, the fingers active
- Mordent-Exercise
- To acquire a firm touch
- Practice in the passing under of the thumbs
- Uniformity in raising the fingers
- Octave skips, the hand light
- Trills in thirds
- Changing the fingers on one and the same key
- Light arm, the fingers flexible
- Clearness in great strength
- Uniformity in raising the hands
- Exercise in thirds
- Light breaking off or detaching of chords
- Action of the fingers of the left hand
- Double-Mordent-Exercise
- Skill in the passing under of the thumb
- The lightest touch, the fingers exerted to utmost
- Legato melody with broken chords
- Bravura in touch and action
- Delicate and distinct touch in broken chords
- Trill exercise
- Octaves-Bravura
- Bravura in touch and tempo
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